Half of a perfect circle

Asterios Polyp is one of the best graphic novels I have ever read. The story is good, but what makes it GREAT is the art. There are countless different art style going on in Asterios, and they are there not only for the visual, but for the story telling as well. Different style means different personality, condition, feeling, emotion and situation. Polyp himself is mostly a poly constructed person, which representing he is all about function, logic and close to “emotionless”. His world is all about making sense and everything need to function in the way that they are suppose to. (That’s why when his house got burn down by lighting he take it rather hard as none of those things are suppose to happen)

There are a range of different type of storytelling using different types of element, lines, colors, shapes, facial, word and more. One of the most interesting things I found it’s the mix of style when Polyp first meets Hana. They were drawn in two totally different art style (representing personality), and when they start to talk they both has taken the other’s art style and mix within their own. It is visual story telling at its best; not even the best facial emotion drawing can tell a person’s emotion that clear. Polpy’s dialog bubble is always squire and Hana is circle, again, its visual story telling using every element that’s on the page. There in a scene where Polyp visit Hava in the classroom where she is teaching some students, and when they meet the box around that shot become circle to represent they are now a whole instead of individual.

 The use of flashback and what could have been is another great element of the book. Having the “DEAD” twin brother to tell the story of Polyp is a really interesting and fresh style. I realize there is no black ink at all in the whole book, and I think that’s really unique for a graphic novel. I am not sure what was the reason or purpose behind it, but it’s sure interesting to see that. In the end I think Asterios Polyp is more about the icon, shape, lines and color that’s connecting to the reader instead of reading the story itself.